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September 3, 2010
Happy Sigh from Valerie! It was another amazing event, another night where I look around and see people joyful, smiling, dancing, celebrating, being exuberant, loving life, letting loose, going wild! And next to me I see the world’s best performers and musicians with the most astounding charisma, passion, talent; the energy rising in swirls, tangible and enlightening, enlivening. The thing that is so hard to describe, to get across to people, is that there is TRULY NOTHING LIKE THIS PRODUCT IN THE WHOLE WORLD OF ENTERTAINMENT! Where can you find a performance so exciting, so polished and sharp and yet still organic and flexible, THAT IS COMPLETELY GEARED FOR PRIVATE EVENTS? Talent of this magnitude is usually reserved for touring headline acts; Rod Stewart or Diana Krall doing cool jazz standards with a stage full of trumpets, trombones and saxes; Black Eyed Peas with their different characters presenting their “positive hip-hop” dance hits; Lady Gaga or Madonna whose shows include awesome backup singers/dancers; Bon Jovi rocking out their old and new, Beyonce, Jay-Zee, Alicia Keys, whose shows feature the best of their material with strong backline support and many guest surprises; and the always favorite Earth, Wind and Fire who energize the stage and dazzle crowds with their heartfelt song and expressive dance. You can find those acts on arena stages throughout the world, but what you can’t find anywhere is an ensemble that delivers all of that music AND MORE, performed in a similar style with the same kind of STAR POWER, but that will customize the repertoire for each and every event; can down-play, up-play, down-size, can segueway seamlessly like the best DJ, gliding between genres in a unprecedented way; reading the crowd and switching gears, intuitively designing the play-list IN MOTION to deliver the material that is perfect for this audience, this night, in this moment. No filler songs, no monologues, just song after song, energy building and mounting, all within the parameters of music for a private party. Not a show, not a concert, just truly the World’s Best Party Band, The Starlight Experience. Once you have seen this live, it all makes sense. But words cannot describe it, videos will not capture it, testimonials do not do it justice. The comments might make it sound like it is “too much,” or “over the top,” or “a show not a band…” but people who have actually experienced this product NEVER say that! It is just the Best of the Best, time and time again.I am gratified when we are in different cities and we work with various producers, event planners, booking agents, and people always say, “There is really nothing like this product anywhere!” It is so true, and I am excited for even more people to know this; Starlight has created an entertainment concept that is unparalleled and unrivaled, bridging the worlds of Live Music for Private Events and Headline Entertainment. It is for those discerning clients that want to present something astounding, within the parameters of what is sensible and appropriate for a private event.“Hi Starlight! There are no words to explain the night – NO WORDS – because I listened to Valerie’s suggestions, the music (other than the bride and groom), was talked about the most! You will absolutely be getting calls, but what they won’t realize is that all the extras made it more than “just a band” and therefore, over the top, in the best way!! Clintons will never know what they missed – Greenbergs will never forget what they had!! Thank u so much!With Love,Lorie Greenberg”BACK TO HOME PAGENovember 7, 2009
Before Mrs. Reuben began looking for a venue and selecting a date for her daughter’s wedding, she wanted to weigh the pros and cons of having a wedding planner. If she decided to have one, then the best time would be now so she could have that person’s input when choosing a location, which is one of the most important decisions. Mrs. Reuben decided not to hire a wedding planner, but rather to play that role herself, and to assemble a team of vendors that she felt would be able to guide her through all of her decisions. She already knew which band she wanted (us! Starlight!) and her daughter thought she wanted to get married at their country club in Westchester. She asked me to suggest some New York City venues as well, ones that would be good for her sized crowd, which would be about 275 guests. I happily made some recommendations, and they went off looking. They came back to me and said they flipped over the Hotel Pierre, it was everything they were looking for; old world elegance, spacious, a beautiful room for the wedding ceremony, and a generously sized ballroom (with the perfect space for a band such as mine!). They chose a date that both the venue and the band were available, so now we were ready to execute a contract. Mrs. Reuben told me that she wanted me to do what I do best, and that she would take her cues from me regarding size of band and instrumentation. We agreed that I would provide a 7 piece ensemble for the ceremony (which includes music for guest arrivals, pre-ceremony, processional and recessional, cocktail hour. The group would consist of harp, 3 violins, upright bass, a woodwind player (who can double on sax, flute and clarinet) and oboe. The harpist could also play piano for parts of the wedding ceremony as well as the cocktail hour and we would have the mobility of the harp for the “arrival” portion and pre-ceremony music. For the dinner , she wanted the band that she had seen before, which was the Valerie Romanoff Starlight Orchestra at 16 pieces (9 musicians and 7 singers.) Done! With the band and the venue completed, she would continue assembling her team in the weeks ahead. Stay tuned for “A Dreamy Wedding- Part 3” coming soon. October 20, 2009
This is a letter from the event planner at a recent wedding at the Plaza Hotel! Dear Sarah: Looking forward to working with you again. Best, JB October 15, 2009
I am a big believer in the “no right and wrong” philosophy. There is (usually) not just one way to do or look at something. It is important to determine what experience you want to have, and then make the choices that will lead you to that experience. So while a decision is not “wrong” in a general sense , it may be the wrong one if you are looking for a specific outcome. Let’s say, for example, that you were planning a dinner party at your home, and you wanted the evening to be very relaxed and casual. It would be the “wrong” choice to ask guests to come dressed in black tie. If you were a planning an elegant Saturday night wedding in a ballroom of a metropolitan hotel, however, it could be “right” to ask guests to wear black tie. No right and wrong. Please know I am not talking about moral issues here, as I also believe in always being extremely kind and caring toward our fellow creatures. But with regard to choices, about the way things are “usually done,” about how we navigate through our lives, how we celebrate our milestones, how we throw our parties, I subscribe to a school of thought that encourages us to find what brings us the most joy, and continues to make the choices that lead us there. Determine what we want to accomplish, then set a course for it; previously chartered or not. Let’s tie this into the “music for weddings and parties” theme, since this is the Starlight Orchestras Blog! While planning your events, I recommend doing your research on how things are commonly done, and then making your own decisions based on what makes sense to you and what would please you the most. It really does not have to be any particular way. If you find that you lean toward ideas that are not in the mainstream, then be sure to choose vendors who are flexible and open. (By “vendors” I refer to event planners, music providers, caterers, designers/florists, photographers etc.) Remember, life is like a big buffet, with a huge variety of experiences to choose from. What makes life so indescribably delicious is that there is no end to the possibilities, no end to the choices we can make. As a matter of fact, we can continue to make the same choices and continue to have the same experiences, or we can choose new options and change our life experience. Every day, every moment is a new opportunity to create our selves and create our lives, and while we’re at it, why not create fabulous events as well? October 7, 2009
So now I am going to answer the question. How much should you, could you spend on music for your wedding? My first answer is, as much as you can, it is THAT important. With that said, here is the range. I know some deejays that start around $750. (Surprised to hear me say this? Thought I would start at the $25,000 figure? We’ll get there.) Most of the deejays I use go for around $ 2500-$ 3500. There is definitely a difference between the $750 DJs and the $2500 DJs. The deejays with a following, not to mention the celebrity deejays charge as much as $10,000-$50,000 depending upon their reputation and the circles in which they travel. Then there are a whole crop of deejays in between those prices, some bring a few live musicians, some have elaborate lighting packages that can be added, staging, dancers, and emcees. With bands, if your party will not have dancing, then the ensembles can be smaller and will certainly cost less than a larger ensemble. Two to four musicians can make a lovely presentation, whether the repertoire is classical, jazz, or pop. Anytime you add a vocalist, the price will go up because you also need a sound system (a microphone into an amplifier into speakers, usually on tripods, with cables and power cords. It is a whole set-up and adds to the cost.) If you want dancing it is important to establish a range of styles that you want, which will affect the instrumentation of the band, how much variety is needed. This is where there is a tendency for the quality to fall off; in order to fit into a budget, bands sometimes try to play music they are not properly staffed for, or not quite qualified for. If you want dancing at your party and you want live music, you must make sure that the band you hire has enough personnel to cover the different styles of music needed. One thing about weddings, there is usually a very wide range of music played, partly because there are guests of different age groups and different backgrounds, and because there is usually a lot of time for dancing. We need to mix it up, keep it moving, encourage different types of people to enjoy partying at the same time. Like an airplane, the music needs to be able to taxi, take off, ascend, cruise, and land- several times throughout an event. To continue this analogy, you might say that the band is the plane and the guests are the passengers and are on a journey toward a destination. The band is the vehicle that takes them there. So what should it cost? Can every band be an airplane? Are the airplane bands the ones that cost $ 20,000? (I am making fun of myself now.) I have been told that there are bands in the $3500-$5000 range, but I must confess that I do not know of any. There is enough budget in there for each band member to make a night’s pay and have someone bring a sound system, and the band is probably not part of a larger organization that has internal support systems. There are probably decent bands in that range where the leader does everything himself (finance and payroll, hiring the musicians, writing arrangements, compiling sales materials, doing presentations to perspective clients… you would be amazed at what goes into putting this all together!). One might wonder, though, if the leader is so busy doing all of the administrative details of running a small business, will he or she have time to concentrate on the creative and musical elements, like rehearsing the band? From my experience running a live music company that specializes in polished presentation and customized performance, competitive prices for the high-end market start in the $11,000 range and go up from there. Prices were higher in the past, but now, to accommodate the economic changes in our culture, and since “small is the new big,” many high-end music providers have downsized some products, and are offering smaller versions at more affordable prices. While bands do exist at all price points, in the Luxury Bridal Market you will most likely spend over $12,000 for the music (a small group for the ceremony, a few musicians at cocktail hour, and a band of minimally 10 people) and as much $30,000 or even more for something larger, extremely unique or customized. Substantial string ensembles are also a specialty of some companies (like mine!) and add to the cost, and I will write about that in a future posting. If these numbers seem high, here is some info to round out the equation. Here are the (current) going rates for some headline entertainers that will perform at your wedding….for the “right price.” The Rolling Stones $9 million* Paul McCartney $1.5 million* Jennifer Lopez $1 million* (*all prices are approximate) Believe it or not, I still have more to say on this topic. So please read Part 3 of this series, and find out what goes into some of the pricing. October 7, 2009
This article is not for the faint-of-heart. As you can see from the above header, I am hereby answering the question, “How Much Should You Spend on the music for your wedding?” And the answer is “as much as you can.” I am going to say something even more controversial now. Music is NOT the place to try to save money. I am not saying that you should overspend, that you should spend more than you can, or more than you have. But I am saying that the IMPACT higher quality music and musical presentation has on the overall outcome of your entire event, is often overlooked and undervalued by many people, even many wedding professionals. Most people do not consider the following: the difference in what you would spend for a higher quality musical ensemble is such a small percentage of the overall budget for your affair. Really, think about it, do the math! I have spent my entire career explaining, educating and encouraging clients to spend more money than they thought they needed to. And why? Because in order to get something really good, really special, it costs more. It just does. We all know this. And we all accept it when it comes to our dining out experiences, the homes we buy, the cars we drive (refer to Part 1 of this blog series). We even accept it when it comes to choosing the venues for our weddings and parties. We usually choose the places that are in the top range of what we can afford. And why? Because we want our party to be the best it can be, we want it to reflect our taste, our style, our stature. So what many people do not realize is how much of an impact the music makes on every aspect, almost every single moment of your affair, and can enhance virtually every part. I can only speak of the way we (at Starlight Orchestras) do things, but think about this (some musical aspects to consider when evaluating pricing)… Arrivals and Ceremony Music There is music playing as your guests first enter the venue; be it a building, a hotel, a chapel, a ballroom, a club, or even outdoors when guests first leave their cars. There is music playing as guests are waiting to be seated at the wedding ceremony. Once seated, there is of program of listening music for the 20+ minutes before the wedding ceremony begins. There is wedding music for the processional, and much of what I have already outlined can be highly customized. There are special musical selections for different groups of people in the bridal party; pieces for the officient, the grandparents, the bridesmaids and ushers, the children, something dynamic for the Groom, and then something extremely special for the Bride. There might be music during the ceremony itself, and then of course, music to punctuate the recessional. Cocktail Hour Music As the recessional ends and guests start leaving the ceremony area, we ideally want music to be playing as your guests enter the cocktail hour space. This means that music is being played simultaneously in two places, and the musicians are maneuvering behind the scenes to make this happen. Reception – The Party! When we open the ballroom; specific and carefully chosen music is playing to welcome the guests as they get acclimated, find their tables, and make their way to the dance floot. Then there is music to announce the bride and groom, special music for their first dance together, then skillful and artful transitioning to music for all guests to dance to. In between dance sets, there is a variety of walk-on music for the celebrants proposing toasts and making speeches. There might be ethnic music for special circle dances, and certainly lots more fun party music, often including special requests. During food service, the music softens to create a lovely dining experience. There are special moments where brides and grooms dance with their parents, and there are special songs for cake cutting. There are ways to use music to end the evening, or to transition to different types of after-parties. The music is constant, it is always changing with the moment, accommodating and underscoring whatever might be going on throughout the 6 or more hours of the event. During all of this, the bandleader needs to be thinking ahead, spontaneously planning the next moment, coordinating with the maître d or event planner, feeling the pulse of the crowd and at the same time conducting and leading the musicians. The musicians need to play well, look great, and keep it going for hours and hours. There is a lot of responsibility and quite a lot at stake. The success of the dance portions of the evening have everything to do with the “calls” that the bandleader makes; what songs are chosen, in what order, at what tempo. This is something that cannot be planned or decided ahead of time; because every crowd is different, every night is different, and what song might excite or motivate guests at a particular moment one night might either not work or need to be placed in a different spot on another night. The bandleader’s skill and intuition in reading the crowd is as important as his or her ability to lead the band. To take it a step further, the band must be completely prepared (well rehearsed, with each member having the skills and versatility needed to perform whatever the bandleader may be requesting, which is often a surprise.) Whew! Sounds like a lot, and it is! Summary All of these moments, every single one of them, has the potential to be impactful and meaningful; filled with emotion, overflowing with romance or bursting with exuberance and a sense of celebration. And on the contrary, we can miss the opportunity in all of these moments if the music just isn’t good enough, if the bandleader is not talented or skilled enough, if the band is not strong enough, The Band vs. The Brand Here is something interesting I just noticed. I have written 11 paragraphs, (1019 words) about music for your wedding, and I haven’t even really talked about “the band.” When clients begin the process of looking for music for their weddings, they believe they are searching for the right band. They want to see videos, hear tapes, see song lists, listen to the voices of the singers. And even though these elements are truly important, it is the concept behind the band (in this case, the STARLIGHT BRAND) that creates the blueprint, and it is the skill of the bandleader that brings it to life. People don’t realize this when they come in for their “sales presentations.” They don’t realize that the singers and the instrumentalists are carrying out the vision of the creative team behind the scenes. I have come to think of the bandleader as a master chef (okay, a celebrity chef) preparing a special recipe. The dish will come out only as good as the ingredients being used (the performers), but it is the recipe (the concept behind the brand) that makes it unique, and the way it is prepared by the master chef (bandleading skills.) One more point about how impactful the music is. It is important to remember that once your guests have arrived and have seen the beautiful décor, have witnessed the nuptials, and have experienced the “wow” moment of entering a ballroom that has been transformed by a master designer; his work is done, and then the “party” really begins. There are more than four hours ahead of us. The party becomes a journey. And that is when the bandleader really goes to work! There is a delicious meal to be served, and fine service to be enjoyed; and there is all the space in between with the potential to segueway from magnificent atmosphere into excited, joyful celebration. It is the music that energizes, that creates the ebb and flow; the rise and fall, that modulates the energy, that makes the party come alive. The music is the “whoosh factor” that has the capability of propelling the party like a shooting star throughout the night sky. If that is not worth paying for, then I don’t know what is! Essentially I am saying that the better the music, the better the party; from the ambiance to the emotion to the flow to the fun. Confronting your Fears We may have all kinds of hesitations, fears, concerns about showing too much, making too much of a splash, not being sensitive to the current economic climate, etc. etc. etc. People project ahead and worry that others might over-scrutinize, think they “over-did it,” went “over the top.” But, in my experience, once your party is underway, guests are there and everyone is beginning to have a good time, you are no longer worried about many of the things that concerned you before. You just want your event to be the best it can be, and offer the best scenario you can for providing a festive atmosphere. That is when you truly realize how important the expertise of the music provider is: it is the one element that creates the MOTION! Once a party is underway, I have NEVER heard of anyone wanting to hold back, to be low-key, to be subtle. On the contrary, this is when you want the ability (and have the tools) to make magic! And again I say, if that is not worth paying for, then I don’t know what is. October 2, 2009
From: Katie Shopkorn Rebecca - Thank you so much for last evening! You and your band truly gave us the most amazing wedding…every single guest was blown away! You run a very well oiled machine and it shows….each song was perfect and you had everyone up on the dance floor from the moment the evening started. Please thank each band member for us….we can’t wait to see you at the next party (whenever that is!). Thank you so much again!!!! Best, October 1, 2009
From: Stacey Zolondek Hey Laurell I wanted to let you know how amazing you guys were and how thrilled we were with the music. We got so many calls from people telling us how great the band was. Even with 5 inch heels, I don’t think I sat down for more than 2 minutes all night and I never seen Scott dance so much ever. You should definitely consider adding Head Like a Hole to your repetoire – it was fantastic. Again – we had a blast and will definitely call you in 7 years for Scott’s son’s bar mitzvah! Enjoy your wedding and congratulations!! Thanks again Stacey September 5, 2009
This thank you letter was written to Sarah Scott from her most recent bride and groom. The wedding was at the Angel Orensnaz Foundation in New York City. Congratulations to Sarah for another amazing event! Dear Sarah, lots of love, brooke and josh |
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